The 14 Words

Sunday, 5 January 2014

The Beatles: “Hey, Let’s Destroy The White Race Lads!”


It was no coincidence that a sweet-sounding, naive 60s pop group with a harmless message of young teenage romance, made up of working-class mainly white boys burning with working-class anger against centuries of exploitation by the elites, should have found a homosexual Jewish manager who, with the aid of the state mind-control organization the Tavistock Institute turned them into a deadly weapon of Frankfurt School Lies and deception and used phony concepts of love and peace and later tolerance, equality and diversity to destroy many centuries of white civilization, morality, culture, religion, self-perception and racial identity in one big drug-fuelled party that lasted just over one decade from the 1960s to the 1970s.

It was no coincidence that Abbey Road Studios were conveniently sited just across the road from the Tavistock Institute of Human Relations, the vile Jewish and communist cultural Marxist think-tank which even today creates the cultural mores of the united Kingdom through it’s cultural control of the BBC and other Jewsmedia TV outlets pumping out soaps, game-shows, corrupting children’s programmes as well as life, society, history and nation changing mass events like the Queen’s Jubilee, Royal marriages, the Olympics and soon the commemoration of the first world war, using the masonic traitor-Queen as their major flagship to fool the people that these events somehow represent them, their tradition and their highest national values and standards. That we really were unaware that the Industrial Revolution was started not only by Englishmen but by black industrialists and as we shall see with the up-coming commerations that the first and second world war was really fought by Indians, Pakistanis, Poles and Caribbean's with just a few whites thrown in.

It was no coincidence that the Beatles were led by a brilliant, conflicted, confused but malleable and controllable Irish-English genius John Lennon who by his very name was drawn into an early sympathy for his near namesake communist Vladamir Lenin and was confused about his mixed roots. And no coincidence that Lennon had been to art school, that most brainwashing and culture changing vehicle for the revolutionary Marxist Jewish-created social democratic regime after the war. And no surprise that Lennon was the one who advanced that vital component of Jewish cultural marxists Adorno, Gramschi and Marcuse’s plan to wipe out the white race; miscegenation. Lennon’s marriage to the money-grabbing phony artist yoko Ono became the template for a notion of the trendyness and ‘liberating’ idea of race-mixing all across Western youth, a racially-suicidal development which continues today with the backing of a multi-million dollar Zioncorporation advertising blitz which sells everything from mobile phones to soap using images of white women and black men and white men and mixed-race women. A campaign never targeted at Jews, Asians or black women because the Jews want more of all three to breed while the white race dies out.

Perhaps it was also no coincidence that the group acquired a technically weak but chirpy, cheeky Jewish chappie drummer Ringo Starkey who went on to marry fellow Jew Barbara Bach.

The whole thing formed a perfect concoction which included another major component of the Frankfurt School plan; the spread of Eastern religions and nebulous ‘new age’ thinking, charms, crystals, Scientology, mediums and shamans all served up with phony ‘modern’ psychology as a way of undermining Christianity, all so perfectly embodied in George Harrison who until his death in his vast royal palace continued to support the insane lunacy of the Hari Krishna sect, where the neighbours of whose country estate (which he had purchased for them) are deafened each year by blaring loud-speakers selfishly destroying, with the sanction of the local Marxist council, the peace of the country-side, and whose saffron-robed thugs roam the streets of Western capitals inviting passers-by to ‘feasts’ that never compose of any food whatsoever.



And the Beatles had a good composer and songwriter in the form of Paul McCartney, a man devoid of all spiritual and religious qualities and any ability to understand or analyse society, a man who in fact became a lifelong Jew in all but name. Two of his three wives were Jews.

No-one noticed that the Beatles never sang of the heroes and kings of old, never extolled England or her virtues or the great legacy of their race, never thanked their parents who had fought a bloody war against their own German brothers and destroyed millions of them on behalf of the same Jews who created that war and all the ‘British’ wars since Waterloo when Rothschild's secret service began to morph into what is now MI5/6/Mossad and control Britain as their motto says ‘Through deception.’

Rather the Beatles embodied the Jewish contempt for the white race that they had had to fool with lies and character assassination into supporting their puppets in London and Washington to go into battle. Men like the disgusting homosexual drunkard, psychopathic killer and bought and paid Zionist agent Winston S. Churchill and in America the communist front for Jewish power and hidden cripple Theodore Roosevelt.

It was the Jewish control of advertising, media, publishing, films and entertainment, the governments they had purchased with pockets as deep as they need go, the mainly Jewish staffed allied war propaganda units and all the war propaganda itself which had sent vast numbers of white European people to their death in world war two, and it was the Jews who without any gratitude but only a certainty that these heroes and a number of zeroes had been hoodwinked into doings so and therefore deserved no credit, who then proceeded to deploy their thousands of Marxist institutes across the West to begin a process of deliberate destruction of the post-war white race and civilization.


TAVISTOCK’S USE OF JUDAIC THOUGHT, REFLECTED THROUGHOUT THE WESTERN WORLD BY THEIR AGENTS IN INSTITUTIONS, ACADEME AND MEDIA FOCUSSED ON A DIALECTICAL RESTRUCTURING OF THE WHITE CONSCIOUSSNESS. SUBTLY IMPLANTING SUBCONCIOUS, SEXUAL, ANTI-SOCIAL, REVOLUTIONARY AND SELF-DESTRUCTIVE DESIRES SIMPLY BY USING THE MEDIA TO DISPLAY SHOCKING AND INDECENT EXPOSURES OF TABOO SUBJECTS AND IDEAS. DIALECTICALLY THIS MEANT OPENING THE NAIVE, JESUS-MINDED AND INNOCENT THOUGHT-PROCESSES OF THE WHITE GOYIM TO EXPOSE THEM TO BECOMING USED TO AND FINALLY SUBMITTING TO AND ACCEPTING IDEAS AND CONCEPTS WHICH THEIR HISTORICAL ARYAN SELF-REGULATING DISCIPLINED THOUGHT-PROCESSES WOULD HAVE PREVIOUSLY REJECTED AND IGNORED. JEWS PROMOTED AS MODERN, EXCITING AND FASHIONABLE CRIME, CRIMINALS, DRUGS, ALCOHOL AND CIGARETTES, PROMISCUITY, UNFAITHFULNESS, SELF-OBSESSION, NARCISSISM. SELF-CENTERED SELFISHNESS, DEPRESSION AND SELF-ABDIGNATION. THEY PROMOTED THROUGH FILMS THE IDEA OF DODGING ONES DUTIES AND RESPONSIBILITIES BY PORTRAYING DROPPING-OUT OF SOCIETY AND LAZY SELF-INDULGENCE AS BEING THE ROMANTIC AND HEROIC STANCE OF ‘THE OUTSIDER’OR ANTI-HERO.THEY ALTERED THE WHITE PEOPLE’S PERCEPTIONS OF COMMUNITY FROM THE TRADITIONAL CONSTRUCTS OF ANCESTRAL RELIGION, TRADITIONS AND RACIAL KINSHIP INTO EMBRACING ALL THAT WAS OUTSIDE, ALL THAT IN FACT THREATENED THE COHESIVENESS OF COMMUNITY, AS BEING DESIRABLE TO CREATE A ‘WIDER COMMUNITY.’ A CONCEPT WHICH IN REAL TERMS MEANT THE VIOLENT DESTRUCTION OF NATURAL NOTIONS OF NATION, RACE, MORALITY AND FAMILY AND THE SUBSUMING OF THE WHITE RACE INTO A MULTICULTURAL MORASS OF MORAL, SOCIAL AND RACIAL RELATIVISM; WHITE GENOCIDE.
No, the Beatles never shed any tears for the fallen, just ‘took the piss’ out of their martial values, discipline, loyalty and courage. The fact that these men died in a million nameless dark holes and corners or fell from the sky or were killed from the sky or drowned in the sea in order as they believed to ensure the ‘freedom’ and perpetuity of their race, that they died so the Beatles could live in peace and security meant nothing to the up-and-coming Liverpuddlian rat-pack, imbued with the new Jewish values of gross materialism, sexual licentiousness, drug-indulgence and hedonistic, suicidal optimism about a one world, one love, one mongeralized future based solely on the uplifting that would come to the world if only white people were removed from their perch, restricted like animals in a pen and forced to embrace failure, ethnic genocide and the abandonment of ideals and their traditional ice-age created aspirations to reach new frontiers of thought and science.

Whites who were destined at the end of the process initiated by the controllers and creators of what came to be the Beatles, to become the drunken, miscegenating, porn-watching, failing, dumbed-down, insecure, unconfident, guilt-ridden, self-hating, lowered IQ permanenty stoned children of today, whose whole concept of life is now projected from and by the media-matrix of the transnational world Jewish techno-information-network.

THE BEATLES AND TAVISTOCK:





1 comment:

  1. "A Teenager in Love" is a song written by Doc Pomus and partner Mort Shuman and was originally sung and released by Dion and the Belmonts in March 1959. It reached #5 on the Billboard pop charts.
    Not everything Coleman says is true, ie the expression 'teenager' was in existence befre the Beatles, but I do believe that the Beatles music was written by Theodore Adorno.

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